Friday, March 7, 2014

Why Mud is Perfect




Do you remember how or when you lost your innocence? I am not talking about first sexual experience. I am talking about the "death" of that sincere and honest child within which no matter what, will always stick to his true feelings and emotions. Do you remember the first time when you first thought that actually lying is not that bad just because everybody lies? 

I don't. But thanks to Mud I came close to re-experiencing that forgotten feeling of loss. I am not much of a philosopher. Never have been and probably never will be, but there is something about this movie making it a perfect coming of age story that has ever been produced in Hollywood. Why? Because it is about those very principles, which we usually lose while growing up. It is about those very emotions which change with time. We become calculating, deceptive and pragmatic. We gain this traits not because we are genuinely bad people but because to some extent we realize they will make our life easy. Life is too damn hard so we have to be more flexible with our own principles as well as feelings...
Now going back to Mud I want to draw, what seems to me, an extremely relevant parallel (make an analogy) with 90s classic movie Scent of a Woman (If you havent seen it, go see it right now). Here is a small excerpt from Al Pacino's famous speech, where after insulting everyone he could insult, Colonel Frank Slade sums up his opinion about young and naive Charlie Simms: "Now I have come to the crossroads in my life. I always knew what the right path was. Without exception, I knew. But I never took it. You know why? It was too damn hard. Now here's Charlie. He's come to the crossroads. He has chosen a path. It's the right path. It's a path made of principle that leads to character. Let him continue on his journey. You hold this boy's future in your hands, committee. It's a valuable future. Believe me. Don't destroy it. Protect it. Embrace it. It's gonna make you proud one day, I promise you."
Why did Mud remind me of this particular part of Slade's speech ? There are two reasons. First of all, I am assured that last several sentences of the speech could be repeated with the exact same wording to the character (His name is Mud) of Matthew McConaughey. Mud, as well as the committee deciding whether to expel Charlie, held the future of Ellis in his hands. Future development of personality of Ellis depends on his actions. Even Mud himself, who can be counted as one of those people able to fully dedicate themselves to the purpose they deem worthy, came close to the mediocrity of soul. He came close to giving up on what he really loved just because, not giving up was irrational. Hence, considering the attitude of Ellis towards Mud, mediocre actions of the latter could have ultimately disappoint the former and, in Frank Slade's words, execute his soul. Is it an extremely radical assumption? It is as radical as Ellis's devotion to Mud and his purpose. Ellis is kind of a boy who will not tolerate betrayal of true self in any way but he is young and prone to be affected by those for whom he deeply cares. This means that seeing the full capitulation of his role model might force him to end up with mediocrity as well. He will not die in physical terms, he will live on, but he will grow into a man who stopped believing. Second reason why I remembered Scent of a Woman is the similarity between Charlie Simms and Ellis. While Charlie is older and Ellis is more aggressive, their ability for choosing the path and following it ignoring the costs is stunning. If for Charlie the path is represented in not snitching on his (assholish) so-called friends, for Ellis the path is to help Mud, a man he believes is madly in love.  
I am going to be a little harsh here and say that the cornerstone of this movie is not Mud. It's the little boy Ellis. He and Mud need each other. Ellis needs Mud to be his role model, to give him emotional stimulus, encouraging him to stay true to himself, while Mud needs Ellis to not be lost in mediocrity. To have someone who will acknowledge his dedication and who will believe he is capable of deeds he never even considered he was capable of. They are the two musketeers, but Ellis is still the driving force, when he reaches Mud's age he will be more than Mud ever dreamt of.
Even though this movie is called Mud, it is not about him. It's about the boy.
The boy who is far from being an ideal son, he is aggressive, restless, brave, risky, curios and judging. He might have some flaws even as a kid, but he has one important trait outweighing his shortcomings. He is never fake. He's as real as it gets. His intentions are childishly genuine and his actions are worthy of an adult (Noble!) Man. Cause that is the way he perceives himself, not even once he doubts himself or his actions thinking "I am just a kid. What do I know?". He knows what he believes in and refuses to deny his beliefs even when being under pressure from adults - who you would think know much more about life than this little brat. He is no ordinary boy. His convictions are so intense and indestructible that it pushes other people to be better and try to live up to his expectations and that is the true spirit. The spirit which is absent in many of us and which deserves admiration whenever witnessed.

Tuesday, January 7, 2014

Underrated Actors (Part I)






There are terrible actors, good actors and underrated actors. The latter is a rather controversial notion. While Paul Giamati, for example, can be labeled as an underrated actor just because regular movie goers probably will have no or in better case will have vague idea who the hell you are talking about, any decent cinemaphile will feel insulted if you ask "Do you even know who Paul Giamatti is?", cause trust me they do. So for further clarification by underrated actors I mean those who - in my humble (but sometimes arrogant opinion) have or had tremendous potential for creating memorable characters but never got the chance to do so, due to reasons only commercially minded fucked up producers will know. So here is the list:

Tim Curry    


An actor who had to settle for stupid roles in movies like Home Alone 2 and Congo, but who still managed to be extraordinarily memorable while playing the Devil (Darkness to be more precise) in Ridley Scot's fantasy visual feast Legend and bloodthirsty dancing clown penny-wise from poorly filmed but, nevertheless, creepy adaptation of Stephen King's novel It 

Why I like him? Cause he can damn sing and damn he is creepy as hell, but creepy in an artistic way. He proved that he can sing in Rocky Horror show but I prefer his devilish voice in environmentalist cartoon FernGully (which actually also casts Robin Williams as a crazy lab bat) where he actually makes you fall in love with disgusting slime villain called Hexus by just bringing out some "Toxic Love"I may be biased but I even like him as Cardinal Richelieu in Three Musketeers. 

Unfortunately you cannot name at least one movie where he is the leading man. Of course he doesn’t really have the "starish" appeal of Brad Pitt which will turn any movie into a box office success, but I think he would be great in art house movies and not only in devious roles. He really has the capability to bring dramatic intensity to psychological roles where his deep voice and unusual smile could be put to use for something worthy of his talent.

P.S. It would be interesting to see him in the Lars Von Trier or David Lynch movies. Even though I personally hate Trier's recent nihilistic, sex obsessed films.
P.P.S Btw he also played Shakespeare...

Elias Koteas          


Only die hard movie lovers know this Greek-Canadian creepiness in flesh guy. I mean you see him in movies but never bother to remember his name cause he is not even the main villain! (roles in shooter and Defendor do not  count, cause what villain allows himself to be overpowered by girls or crazy psychologically damaged people? ) You like him, you wonder why the main evil plotter was another guy, but then you forget him... 

I bet he can outdo even Anthony Hopkins in playing a serial killer and he has never gotten the chance to play a real full-fledged villain. Now isn’t that sad? At least give him a chance. He is right there in front of everyone, he is kind of famous, he played in Thin red line, Crash (no, not the crappiest Oscar winning movie it's I wanna do you in a wrecked car cronenberg flick), Shutter island, Let me in (American version) and so on, but again as well as Tim Curry he never gets leading roles.

I first saw him with Denzel Washington Fallen just for 4-5 minutes where he is death row inmate and I got blown away. He is good. And he deserved and deserves at least one good movie role like Michael Rooker in The portrait of Serial Killer.

Despite the fact that I mainly emphasize his artistic ability to portray poisonous villains does not mean that I think his skills are not suitable for playing good guys, not at all. An example that he can do that is his role in the Thin Red Line where his character's sincerity and peaceful presence truly calms down the auditorium. Having such prominently and outstandingly calming effect on the viewer in Terrence Malick's slow paced film (which you can sometimes just listen to) is already an achievement.

Brad Dourif     

  

A true gem. A young actor who started his career in a cult classic One flew over the Cuckoo's nest and ended up as a killer doll's voice. Unfortunately since then Brad Dourif has been mainly associated with B horror movie Child's Play and other horror flicks, some of them were average some of them were terrible.... in some of them he managed to remind everyone that he is still a good actor. I have one particular scene in mind where he goes berserk just for 30 seconds but it is better than the rest of the movie. 

It seems like he is talking to everyone who ditched him accusing him of being one dimensional actor. Now after watching that scene don’t you wonder where did the poor Billy Bibbit go? He is one of those few actors that are equally capable of portraying raging maniacs and innocent psychologically damaged youngsters. But not even once he was given a chance to lead in a decent movie with a decent director...



P.S. The fact that he hasn’t seen a worthy role in years while Sarah Jessica Parker earned millions of dollars with her shitty acting in Sex and the City series and movie franchise is just... annoying. Oh and the Twilight with Kristen Stewart, Lamma boy and a shovel face (I know. Too obvious. Couldnt resist)